This Pedal Charges You Every Time You Use It

$299 for the pedal. Then you pay every time you ask it to make you a sound.

I read it twice. Then I read it a third time.

Let me back up.

It was late on a Tuesday night. I’d just got back from rehearsals. I was doing what I do. Scrolling. Researching. Telling myself it was “work.” And I stumbled across something that genuinely made me put my phone down for a second.

A guitar pedal that uses AI to generate effects from a text prompt.

You type in something like “lush 80s chorus with tape warble” and the pedal builds it for you.

Like ChatGPT, but for your pedalboard.

It’s called the Polyend Endless. And I didn’t know whether to be excited or terrified.

So I did what any self-respecting pedal addict would do. I spent the next three hours reading. Researching. Forums, spec sheets, demo videos, Reddit threads, the lot.

Here’s what I found.

The concept is genuinely interesting. You describe a sound. The AI generates an algorithm to match it. It’s compact, it’s different, and it’s the kind of thing that makes you think the future just arrived a bit early.

I was in.

For about fifteen minutes.

The pedal comes with $20 worth of tokens. Each AI generation costs roughly $1–5. That means your included tokens get you maybe four to six attempts.

On one of the forums, someone called it “the Polyend Endless New Income Source.”

I laughed when I read that.

They’re not wrong.

Now, if you’ve ever used AI for anything, you know it rarely nails what you want on the first go. You’ll iterate. You’ll tweak the prompt. You’ll try again. That’s not a flaw. That’s how AI works.

But every attempt costs money.

So that four or five attempts? I guess, that’s maybe one or two usable effects before you’re buying more tokens. Experimenting can get expensive fast.

I caught myself doing the mental gymnastics.

“Well, if I only generate a few effects a month…” and “I could probably make do with five or six custom sounds…”

I was already justifying it.

Of course, I was.

I’m exactly the kind of person who’d buy this. A pedal with a new, shiny, interesting concept. I’d worry about the cost later.

I should know better by now.

But I’ve got a lot of pedals that prove I don’t.

And while I was doing that math (not my strong point), I kept thinking of another pedal that intrigued me in the same way.

The TC Electronic Plethora X1.

It’s about $159. It gives you access to TC’s entire TonePrint library. Hundreds of effects. One pedal, one effect at a time.

No ongoing costs. No tokens. No subscription. You buy it, you use it, it’s yours.

Is it as exciting as AI-generated effects?

No.

Not even close.

It’s a sensible, proven, slightly boring piece of gear that just works.

And this is where I put my credit card back in my wallet. For now.

Because here’s the thing. We love the idea of infinite possibility. It’s the same impulse that makes us collect overdrive pedals or spend hours on Reverb looking at gear we’ll never buy.

The Polyend Endless is selling that thrill. The idea that you could describe any sound and it would appear.

But the question I keep coming back to isn’t “is this pedal innovative?”

It’s “will this help me play, or will this help me shop?”

That’s not a dismissal. There are people for whom this pedal makes perfect sense. Sound designers. Experimental musicians. People who genuinely need custom effects that don’t exist anywhere else. If that’s you, the Endless might be exactly what you’ve been waiting for.

But for most of us? The ones who already have more sounds available than we’ll ever use?

I think it’s worth asking: what does this do that my current setup can’t? What are the real ongoing costs? And is there a boring, proven alternative that does the job?

Those three questions aren’t just for the Endless. They work for every shiny new pedal launch. Every Kickstarter. Every “game-changing” release.

Here’s a challenge, if you want it.

Next time a gear launch catches your eye, wait 48 hours. Write down exactly what you’d use it for. If the list is specific, great. Go for it.

If it’s vague: “It’d be cool to experiment” or “I could probably find a use for it.”

That’s your answer.

The Endless might become something brilliant. AI in music tools is only going in one direction. But right now, it’s a first-generation experiment with ongoing costs and unanswered questions.

There will be lots of players buying this. Let’s let someone else be the guinea pig.

We’ve got guitars to play.

Cheers,

Cheers,

Gareth

RIFFS