The Secret to Finding Your Unique Guitar Sound

“Is that even a guitar?”

I’m at a friend’s jam night in a dusty little Budapest basement.

I love it here. Writing on the walls. Cheap beer. A band that’s clearly forgotten the concept of subtlety. (And I mean that in the best way possible.)

The guitarist tears into a solo, but it’s not your usual blues pentatonic licks.

It sounds… glitchy. Filtered. Like a cassette tape dying in real time.

My friend Shawn, next to me, leans in: “Is that even a guitar?”

It was. But barely.

After their set, I ask the guitar player about it. Turns out he’s running a fuzz into a delay with the time knob mapped to an expression pedal, bending time mid-phrase.

It was messy. Raw. Totally and uniquely his.

I loved it.

That sound didn’t come from a YouTube tutorial. It came from experimenting. Getting weird. Following what felt good.

It’s something I’ve been thinking about a lot lately:

Tone is a story. And your pedalboard is the way you tell it.

But too often, we get stuck copying other people’s settings, their boards, and their tone.

We forget to chase our own.

I get it. There’s comfort in presets. But presets don’t move people. They won’t move you.

Your personality does.

Want to know what that sounds like? Try something different, like running your reverb before your overdrive. Or crank your delay feedback until it screams, then pull it back just enough to stay musical.

Little moves like that. They add up, and they give your tone character. (If you want a masterclass in chasing wild, unmistakable tones, look no further than Tom Morello’s pedalboard, the king of crazy sounds.)

So here’s something to try this week:

  1. Twist the knobs the wrong way.
  2. Stack pedals that “shouldn’t” go together.
  3. Break the rules until something makes you stop and go: “Wait… what was that?”

Because that might be your sound. And you’ll never find it if you keep coloring inside the lines.

There’s no “right” way to use pedals. But there is your way.

And the sooner you start chasing that, the more your playing will feel like home.

Finding your own voice with pedals is messy.

But it’s also where the magic lives.

So this week, get lost in your board. Twist something silly. Break something beautiful.

Cheers,

Cheers,

Gareth

RIFFS
3 hr Summer 1960. Something broke in a Nashville studio and Grady Martin's guitar… GARETH JOSEPH 7 Jul The Timeline MX is finally here, and half the pedalboards in the world are… GARETH JOSEPH 22 Jun Fender spent this year making enemies. But their pedals are getting things… GARETH JOSEPH 21 Jun ok so Paul Gilbert posted his board again (the man genuinely never stops… CHRIS_VELASCO 10 Jun At what point do you think a pedal is no longer a "boutique" pedal? DEVON 10 Jun I spent years thinking I couldn't make the Boss BD-2 sound good. It's the pedal… GARETH JOSEPH 7 Jun Strymon has turned "analog" into a luxury brand again. Their Series A line is… GARETH JOSEPH 4 Jun For over a decade, Eventide sold you the best pedal you couldn't operate. One… GARETH JOSEPH