RIFFS
3 hr Summer 1960. Something broke in a Nashville studio and Grady Martin's guitar… GARETH JOSEPH 7 Jul The Timeline MX is finally here, and half the pedalboards in the world are… GARETH JOSEPH 22 Jun Fender spent this year making enemies. But their pedals are getting things… GARETH JOSEPH 21 Jun ok so Paul Gilbert posted his board again (the man genuinely never stops… CHRIS_VELASCO 10 Jun At what point do you think a pedal is no longer a "boutique" pedal? DEVON 10 Jun I spent years thinking I couldn't make the Boss BD-2 sound good. It's the pedal… GARETH JOSEPH 7 Jun Strymon has turned "analog" into a luxury brand again. Their Series A line is… GARETH JOSEPH 4 Jun For over a decade, Eventide sold you the best pedal you couldn't operate. One… GARETH JOSEPH

Pedals, with an opinion

The arguments, the history, and the weird corners of the pedal world. Less how-to, more what we actually think about all this.

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About Columns

Everywhere else on the site, we keep our opinions on a leash. Here we let them off. Columns is the section for the arguments worth having, the history worth knowing, and the questions a spec sheet can't answer. You won't agree with all of it. That's the point.

Sometimes that means picking a fight with the industry, like asking why guitar pedals cost what they cost and whether the boutique premium is craft or theatre. Sometimes it means defending a take most players roll their eyes at, like the case for running an always-on pedal, or asking the question every overloaded board is afraid of: how many pedals is too many.

And sometimes there's no fight at all, just a story worth telling, like how fuzz was born from a broken console, or a tour through the strangest pedals ever built. If Guides is the reference shelf, Columns is the conversation you'd have about all of it after the shop closed.

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